by Johannes Goransson on Jan.10, 2012
Anyway, I raised my hand, warned that my question may seem moralistic, and asked the damned thing: what does it mean when evil becomes fun? What does it mean, as a goal, to meet totalitarian violence with violent (spectacular) art? How does evil (turned out by fascists like Pinochet, or in by artists like Zurita who had poured acid on his face as a metaphor for totalitarian oppression) not become a distraction or an act of mere entertainment? In order words, what happens when injustice becomes fun or a pageant of performing bodies?
Here are a few more questions that come to mind as I reflect: Can art, as a goal, be more than fun? Should art, as a goal, be more than a parade manifesting the gaudy possibilities of experience through the streets or through the halls of academia? What is the difference between a parade and a protest march? Is claiming the privilege to feel proud for existing as the thing that is possible to manifest the best that art can do or is art more imbedded in life than that?