by Joyelle McSweeney on Jun.25, 2012
Montevidayans, I wanted to post this really interesting review of my new book on HTML Giant, not only because I’m really proud of it, but also because of the way Kyle Minor reads my book through the prism of our collective authorship/readership here at Montevidayo. It’s exciting. It suggests to me that we have really made something here. Here’s his characterization:
The Montevidayans, a loose group of writers and poets and visual artists (including Joyelle McSweeney, Johannes Goransson, Lara Glenum, Danielle Pafunda, and, more loosely, Kate Bernheimer), are distinguished from the preponderance of those who are identified (or who self-identify) as avant-garde or experimental or “new” or otherwise willfully other, by their willingness to embrace and explore rather than to exclude, and by their idea that art can accommodate the high, the low, the middle, the sideways, the backwards, the constructive, the destructive, the deconstructive, the narrative, the anti-narrative, the lyric, the dramatic, the miniature, the epic, the restrained, the willfully artful, the willfully artless, the garish, the respectable, the kitschy, the hybrid, the hi-bred, the high bread, and the red hype. Where others out of explicit big-timing (and implicit self-protection or self-promotion) construct ever smaller boxes within which art might reside — and say, implicitly (and sometimes explicitly): because I reject your standard notion of rules, which are meant to bind and shame me, I will make an idiosyncratic notion of rules, which are meant to bind and shame all who are not like me — the Montevidayans, in general, say: Yes.