by Johannes Goransson on May.04, 2013
Drew Kalbach has written a fine response to my last post over at the Actuary, drawing the connection between Joyelle’s “Bug Time” and media theory:
I can’t help but read this as a network analogy. Instead of the progressive picture of literary linearity, it’s a networked image, where each node is independent but constantly interacting with any other node. And more than that, there are viruses all over this system, causing glitchy new nodes to spring up, older nodes to blue screen and disappear, etc.
It’s apt that Joyelle uses the bug metaphor; there is nothing more inhuman than the network. Alexander Galloway says in The Exploit:
“Human subjects constitute and construct networks, but always in a highly distributed and unequal fashion. Human subjects thrive on network interaction . . . yet the moments where the network logic takes over — in the mob or the swarm, in contagion or infection — are the moment that are the most disorienting, the most threatening to the integrity of the human ego.”
This swarm is essentially the “plague ground” Johannes Goransson brings up in a different post, and which is very much related to Joyelle’s post: it is the swarming, bug-like, highly distributed and highly interconnected network of poetry being created today on a massive scale. It proliferates, uninterested in ‘posterity’ or any concept of futurity, with only the desire to reproduce itself in the moment. Joyelle’s bug time wants to revel in this swarm, in the shaky ego. And since it’s so distributed and connected, there is no longer single ‘taste-maker’ acting as the arbiter for quality. Instead, everything mashes into the hive and slimes along each other, replicating. This is a large part of the current anxiety over contemporary poetry. With all this proliferation and connectivity, how can we know whats good from bad! Which I think is an absurd fear, and is really more of a nostalgia for modernist hierarchical control models.