by Johannes Goransson on Jul.11, 2013
Among other good points:
A bunch of people have taken issue with Edmundson’s scolding of poets for a lack of aesthetic ambition–”blah blah private hermetic blah timid etc.,” says Edmundson, truly. Most of the people who have taken most issue with this have Ph.D.’s. Ph.D.’s are wonderful things and I wish I had one, but a Ph.D.-ed poet who doesn’t think that their degree might give them special access to plenty of poetry today does not have much faith in their degree, and, given that, a Ph.D. who doesn’t acknowledge that some dedicated, smart people sometimes feel left out of the greater conversation of poetry–for lack of half-a-decade of time and specialized training, as well as a host of other things–seems kinda hegemonic. I also don’t understand, though I’ve heard the argument before, that four-ish years of intense study in a very specific environment (i.e. small-town mid-west) doing a very specific job (teaching comp to freshmen) does not seriously affect one’s poetry in a very specific way. It’s unfair to say that living that life and ceaselessly engaging in those dialogues makes one’s poetry hermetic, but does it make poetry more likely to be considered hermetic by those outside that lifestyle? I say maybe.