Archive for August, 2014
by Dan Hoy on Aug.22, 2014
A couple of Aprils ago I felt like making a version of 2001: A Space Odyssey with an alternate soundtrack just to draw out different tones and see what happens (Giorgio Moroder did this with Metropolis in 1984). Kubrick uses a lot of silence and non-diegetic music to achieve various gradients of tonal irreducibility, so really all you have to do is pick something that lines up with its visual beats and lay it down. Since we’re using my music library here the result is unavoidably 80s-tinged pop opera.
The highlight is probably the 16-minute sequence toward the end where Dave has his pivotal encounter with the black monolith, catalyzing a next-level mode of existence and featuring an uninterrupted medley of The Knife, Air Supply & Duran Duran (See “Conjunction” embed below), though my favorite arrangements are the live Orbital track with its audience cheering on cue as our willfully dull heroes approach the Moon in full hubris (“Arrival”), and the broken pieces of Heart and Alphaville that soundtrack a panicked Frank as he spirals into the infinite abyss of outer space after his umbilical is severed by HAL (“Void”).
What really comes out when watching the full movie like this is how Kubrick intentionally divests the dialogic narrative of all emotional content (excepting HAL’s demise at the end, which is both ironically and genuinely heartbreaking) so he can introduce it instead non-diegetically and full volume, pumped in from the cavernous vacuum of outer space. It’s as if the lives we live are dimensionally reduced exercises in “being human beings”, while our cathartic interiorities are wired in remotely, via the endless darkness that surrounds this planet, and to which we all return upon death.
As an aside, all of this is reminding me of my favorite all time representation of Eros: a giant lifeless rock careening forever across the black emptiness of space (the devastatingly named asteroid “433 Eros”).
The full version of Dan Hoy’s Stanley Kubrick’s 2001 was on Vimeo for awhile but was eventually pulled due to allegedly obvious copyright violations (um…). So I’ve uploaded all the doctored sequences as stand-alone music videos instead so they can experience life outside the lonely confines of my hard drive.
Here is the entire set list (embeds below): Continue reading “The Music Videos of Dan Hoy’s Stanley Kubrick’s 2001” »
by James Pate on Aug.20, 2014
Scott McFarland — poet, union activist, and video artist – recently created two amazing short films (Eight Questions and Entry) inspired by The Fassbinder Diaries. They’re eerie, nocturnal, and filled with the Freudian uncanny. It’s like Hitchcock being locked in an editing room with a million strips of Fassbinder film. There has been a lot on this blog recently about the emerging intersection between poetry and video art, such as the recent posts on Persona Peep Show, and to me it’s one of the most vital trends going on in the poetry scene right now.
Thanks to Scott for the great videos!