Tag: Carl-Michael Edenborg

Semen, Film, and Story-telling: History as Media in Reactions in Bolaño’s “Prefiguration of Lalo Cura”

by on Oct.01, 2012



I wrote a draft of this post a while ago, didn’t publish it, and forgot about it; but  Johannes’ post, “The Violent Pollution”:  Carl-Michael Edenborg’s Parapornography  made me decide to bring the draft back to life, to get it involved in this conversation I’m excited about.

The following passage from Edenborg’s essay is where I saw the connection between Parapornography and my reading of “Prefiguration of Lalo Cura” by Roberto Bolaño.

“The moving images of bodies that rubbed against bodies broke away from the games of identification and projection and moved into a new productivity. It was no longer his penis, her vagina, his sperm, her sighs, her breasts, his buttocks. There were anemones, surfaces without inside, uneven condensations of information and time…they were more real than the homogeneous phantasms that usually accompanies the bloating of the sexual organs, the materials of pornography.”

What I find interesting in this passage and another sentence Johannes quoted– it [Parapornography] can “extract endless excitement from the same skin flap” — is the recognition that there are “more” than the materials/ elements that compose a pornography in Parapornography.  However this sense of “more” is different from  transcendence in the sense of “the sculpture of Madonna is more than  a block of marble” ; what creates this sense of “more” is not that there is something sublime that cannot be fully represented above the materials, but that these materials/elements are in undulation, or if I am to put it in the word I used for my original draft “motions of reaction”. (continue reading…)

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