Tag: kubrick

The Music Videos of Dan Hoy’s Stanley Kubrick’s 2001

by on Aug.22, 2014

A couple of Aprils ago I felt like making a version of 2001: A Space Odyssey with an alternate soundtrack just to draw out different tones and see what happens (Giorgio Moroder did this with Metropolis in 1984). Kubrick uses a lot of silence and non-diegetic music to achieve various gradients of tonal irreducibility, so really all you have to do is pick something that lines up with its visual beats and lay it down. Since we’re using my music library here the result is unavoidably 80s-tinged pop opera.

The highlight is probably the 16-minute sequence toward the end where Dave has his pivotal encounter with the black monolith, catalyzing a next-level mode of existence and featuring an uninterrupted medley of The Knife, Air Supply & Duran Duran (See “Conjunction” embed below), though my favorite arrangements are the live Orbital track with its audience cheering on cue as our willfully dull heroes approach the Moon in full hubris (“Arrival”), and the broken pieces of Heart and Alphaville that soundtrack a panicked Frank as he spirals into the infinite abyss of outer space after his umbilical is severed by HAL (“Void”).

What really comes out when watching the full movie like this is how Kubrick intentionally divests the dialogic narrative of all emotional content (excepting HAL’s demise at the end, which is both ironically and genuinely heartbreaking) so he can introduce it instead non-diegetically and full volume, pumped in from the cavernous vacuum of outer space. It’s as if the lives we live are dimensionally reduced exercises in “being human beings”, while our cathartic interiorities are wired in remotely, via the endless darkness that surrounds this planet, and to which we all return upon death.

640px-433eros

asteroid 433 Eros

As an aside, all of this is reminding me of my favorite all time representation of Eros: a giant lifeless rock careening forever across the black emptiness of space (the devastatingly named asteroid “433 Eros”).

The full version of Dan Hoy’s Stanley Kubrick’s 2001 was on Vimeo for awhile but was eventually pulled due to allegedly obvious copyright violations (um…). So I’ve uploaded all the doctored sequences as stand-alone music videos instead so they can experience life outside the lonely confines of my hard drive.

Here is the entire set list (embeds below): Continue reading “The Music Videos of Dan Hoy’s Stanley Kubrick’s 2001” »

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ORIGINS ARE THE FUTURE: Dan Hoy's Stanley Kubrick's 2001: A Space Odyssey (full feature)

by on Apr.05, 2012

Friends,

I would like to invite you to experience Dan Hoy’s Stanley Kubrick’s 2001: A Space Odyssey, featuring Def Leppard, Bad English, Bonnie Tyler, Orbital, Bon Jovi, Belinda Carlisle, The Sugarcubes, Shakespeare’s Sister, Journey, Roxette, The Bangles, Heart, Alphaville, The Knife, Air Supply, & Duran Duran.

For those looking for a sneak peak, this previous post is for you.

For those looking to mainline the full experience, look no further. Here it is, in all of its power ballad space opera glory:

http://vimeo.com/39838496

Enjoy

xoxo

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Out of Nothing at All: Non-Diegetic Truth and Influence

by on Aug.10, 2011

[the above image is a clickable link to a trailer for DAN HOY’S STANLEY KUBRICK’S 2001 — couldn’t get the video embed to work for this for some reason]

I’ve been silent on Montevidayo for several weeks while attending to the coming apocalypse. Now that the apocalypse is finally coming all over our faces, I’m free to re-dematerialize and offer up some digital artifacts for the world we love to hate on. One of the projects I’ve been working on is a remake of Kubrick’s 2001. By ‘remake’ I mean I’m swapping out all the non-diegetic tracks with tracks that bore me less but still attain the kind of non-diegetic heights that Kubrick was going for (or that I would go for, whatever). I decided to do this after I realized I rip off Kubrick all the time anyway, specifically his use of text as interruption (see his terrifying use of banal title cards like ‘WEDNESDAY’ in The Shining) and his tonal approach, which I would characterize as a kind of patient impatience. I realized this around the same time I realized Gasper Noé, whom I adore (despite limited exposure to his work), is another Kubrick ripper-offer. For reference and enjoyment, here are the opening credits to his Enter the Void:
Continue reading “Out of Nothing at All: Non-Diegetic Truth and Influence” »

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