Tag: Theory of the Young Girl

A Very Brief Manifesto of the Babyvamp (in response to recent inquiries into the subject of the Heroine, the Young Girl, the Ingénue, and the Cad).

by on Jan.03, 2013

In which the common demon is charm. A fascinating bird suspended by the recitation of verse inside of a material whatever. It’s a costume! It’s a dumb parade. It’s women’s magazines on top of whipped Alps launched across the Mediterranean.

What’s terrifying about sentient weapons. They have joints for arranging structure; they are fitted to move upon one another. Or, time is making a mess of itself out of spite. The Young Girl is a prince destined to murder Time. Murderous Time is set right, there is a frame, an object swells pearlescent out of the air, thinned by a mug of warm twilight.

 

 

VAMP (OED) – That part of hose or stockings which covers the foot and ankle; also, a short stocking, a sock. From Old French, avanpié (12th cent.; later French avantpied).

Colloquially, a vampire; another term for a femme fatale.

 

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DEATH BECOMES US: FASHIONABLE BODIES IN DRESSES 2DIE4.

by on Nov.08, 2012

 

I have this problem with empathy. Yesterday I watched The Hunger Games movie for the first time and when they inserted the trackers into the forearms of the tributes I literally almost vomited all over the couch. And when we watched The Patriot in my 10th grade AP History Class I had to sit in the library all that week because I fainted on the first day. I have a low tolerance for physical depictions of violence because when I see it, I feel it, like in my stomach; it’s actual.

I have this obsession with fashion magazines. Not with the texts, necessarily (although I do love it when someone like Jeffrey Steingarten deliquesces on butter for Vogue), but with the advertisements. As with TV, I want it to sell to me; I’m primarily interested in consumable industry. I like to read a fashion magazine three times: first to judge the outfits, next to analyse the advertisements, and, finally, to assess the layouts and writing.

The girls in fashion ads are basically dead. They are able to sell clothes because they are nonentities; their bodies must be blank, hanger-esque, so that any given consumer might imagine the garments upon themselves.

 

Recently I have been carrying around the newly-translated and adorably pink Semiotext(e) Theory of the Young Girl. I started reading the illegal PDF that was circulating the internet when I stumbled across it a few years ago. For a long time, I have been thinking about the agency of Girls, what we’re allowed and what is expected, the limits of The Girl. When, for example, does the Valley Girl lose her modifier and become, merely (?) an uncanny valley of defective communication? Perhaps the bodily boundary isn’t a boundary at all but a membrane, a punctum-in-waiting.

I was baking brownies with my cousin when Joyelle told me about Regina Walters. Continue reading “DEATH BECOMES US: FASHIONABLE BODIES IN DRESSES 2DIE4.” »

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